Images © Marvel.
YEESH! This fershlugginer book is gigantic, and it comes in a cardboard carrying case with built in plastic handle that’s even bigger! The book is 12 by 16 inches, and 3 inches thick. I’m not sure how I’m going to read it, it weighs over 14 pounds. In small amounts, I imagine! I was asked to submit a design for the cover titles, but Taschen went with something else, so my only involvement is a few small year titles on the included but separate Marvel timeline:
This one folds out five times to 55 inches wide! Cat for scale. I appreciate Taschen sending it to me, but I have no idea where I will have room to put it! A quick look through the book reveals all kinds of over-the-top design extras like foil printing and heavy cardstock on some pages. Who knew, when I was buying those cheap, poorly printed comics in the early 1960s it would come to this? Not me, that’s for sure!
Image © estates of Joe Simon and Jack Kirby.
I had it in my hands at the New York Comicon, now I have one to read and enjoy. I did the title lettering, so editor Charles Kochman was kind enough to send it to me. A few hundred pages of stories scanned from the original art, with commentary by Mark Evanier? Can’t wait. The pages are 9 by 12 inches, and I like the fact that they used the actual paper and ink colors rather than trying to make it look more like printed comics. Well done.
Image © Bill Willingham and DC Comics.
I don’t usually do two of these so close together, but I was so happy to see this book I couldn’t resist. First, I was blown away by the wraparound cover by Daniel Dos Santos, which looks even better without any type on the actual cover boards. Second, the paper and printing on these is SO much better than both the original comics and the regular trade paperback collections. Wonderful to finally see our work reproduced this well. Finally, the collection of issues 70-82 puts some amazingly varied stories in one volume, from epic battles and thrilling action to moving tragedy and heartbreak. From clever comedy to chilling horror. From spy thrillers to intimate character work. From honest heroism to the worst villainy. Fables, and especially this collection, has it all. Look for it at a shop near you.
Image © Alan Moore & Kevin O’Neill
This was out in time for the San Diego Comic Con, but I’ve just received some copies from the publisher. A long time in the making, it will be nice to put it on the shelf next to volumes 1 and 2 and the Black Dossier. I had lots of challenging fun with the lettering in these books, from crazy psychedelia to twisted madness and beyond. Doing the design work with Kevin is also great fun, and I think the entire package looks quite handsome, but of course I’m biased. Order it online from Top Shelf, or look for it at a shop or bookstore near you.
Image © Alan Moore and Kevin O’Neill.
This came out in March, but I just received some copies. Many people seem to think that Alan Moore has given up writing comics completely, but it’s not so. The “League of Extraordinary Gentlemen” series continues with three books about the daughter of the original Captain Nemo from Jules Verne’s “20,000 Leagues Under the Sea” and “Mysterious Island.” The first, NEMO: HEART OF ICE came out in 2013. It details an expedition to Antarctica that involves a number of lost civilizations and ancient horrors. We’re working on the third now, which will be out next year. ROSES OF BERLIN takes place mostly in World War Two Germany and is full of Nazi-fighting action. I’m proud to be a part of it, including the design work I did on the cover, under Kevin O’Neill’s direction and layouts. The series is available from the publishers Top Shelf (in America) and Knockabout (in England). And if you missed the previous series, CENTURY, you’ll find advertisements there for the collected hardcover edition, cover below, due out in July. Lots of great reading!