Category Archives: Logo Studies

Pulled At Random From My Files #8

Lettercols1

Images © DC Comics, Inc.

Here are two more letter-column heading logos, for when most comics had actual printed letter columns.

thriller2-cover

Often the request was to have these titles follow the style of the cover logo, and both of these do. FILLER mimics my own logo for the comic THRILLER…

BatmanOutsiders1

Adventures_of_the_Outsiders_Vol_1_37

…while OUTSIDE INTERFERENCE uses the style of my logo for ADVENTURES OF THE OUTSIDERS, which itself used Gaspar Saladino’s original OUTSIDERS logo as a starting point, then added telescoping. Gaspar’s logo is the better one here, in my opinion! Letter-column logos were fun to do because the hard work of coming up with an original style was usually not required, you were simply adapting something already created.

Pulled At Random From My Files #5

WizardHulk

Images © Wizard and Marvel Characters, Inc.

The assignment was a simple one: create a “Wizard” logo for their magazine in the style of the HULK logo below:

IncredibleHulk110_1968

It was designed by artist Herb Trimpe and first appeared on this cover in 1968. The idea was simple, the execution took time, but as I wasn’t being asked to come up with a new idea, it was mostly a matter of putting the time into the drawing, perspective and inking. This was all done by hand, needless to say. It appeared on issue 157 dated November, 2004.

157-10

Pulled At Random From My Files #4

ALABookmark

Images © DC Comics, Inc.

Here’s something I worked on thirty years ago. I did the logo for this image created for the American Library Association. This is the bookmark, rather small and a bit the worse for wear. It’s been sitting on one of my bookshelves ever since, occasionally used as intended. There was also a much larger poster. The Superman figure is from the DC Style Guide, 1982 edition, pencilled by José Luis Garcia-López, inks by Dick Giordano. Don’t know who did the books, but probably someone on the DC production staff.

KIRPLogoSection

I did the logo quite large on Denril plastic vellum, I’m just showing part of it here. You can see some of the faint pencil guidelines for the front of the letters (black pencil) and the two-point perspective telescoping (blue pencil). A fun project, and the sort of extra thing that came my way when I was on staff at DC.

“Logo of the Day” reaches #300!

HaloKleinImage © DC Comics, Inc.

Over on my “Todd Klein, artist” page on Facebook I’ve just posted this logo, designed by me probably in 1985 for WHO’S WHO IN THE DC UNIVERSE #10. While lacking the research and detailed info of my Logo Studies here on the blog (see my LOGO LINKS page), “Logo of the Day” does get a lot more logos out there for people to view and enjoy, and each entry includes what I know, if anything, about the designer and first use.

Even if you’re not on Facebook you can still access these albums at the following links:

Logos #1-100

Logos #101-200

Logos #201-300

Or so I’m told, when I go to the links it opens my albums from within FB. See if it works for you, and click on individual logos to read more about them. A new album will begin tomorrow.

Logo Study: THOR Part 3

All images © Marvel Characters, Inc.

The character Thor’s own title was missing for a few years during the mid 1990s, as part of a deal with Image Comics, but he returned to a relaunched title in 1998 that reused the Alex Jay logo, still looking as timeless and appropriate as ever. Even fighting all the other trade dress on this cover, it shines.

In the fall of 2001, Marvel asked Comicraft to design a new Thor logo. John “JG” Roshell took the design lead, as he often does, and has graciously shared his design sketches and notes, which are quoted below.

JG writes, I’m a huge fan of Celtic manuscript lettering, so my first few attempts were along those lines. This was a combination of two alphabets I scanned out of some Celtic lettering books. I used the H O and R pretty much as-is, while creating a new T and taking the knot work to fill it in.

The same lettering shapes (except on the T) without the fill.

A basic type treatment using our font Golem for THOR.

I’m pretty sure the editor asked for a shorter, squatter version without “The Mighty” tagline. They were going back and forth on whether to use that or not.

Hey, these are pretty cool! Did I really do these?  ;)   I dig the heavily stylized thick-and-thins! 3A is the same thing without the shading and outlines. I’m pretty sure the letters-along-the-edges-as-roughening idea came from Richard (Starkings). I definitely wouldn’t have thought of that. The font for that is Stonehenge (also used for THE MIGHTY in #2).

Changing gears to something more typically comic booky, using our font Treacherous Curves.

A gothic/olde Englishe attempt. I was probably picturing the AC/DC logo.

Aaaand everything old is new again. The editor liked the little edge letters, but suggested trying them on (something more like) the Alex Jay Thor logo.

Getting close — combined the weight and proportions of #6 with the corners and ends of #4. (The taglines are all in Treacherous Curves.)

Final: shrank “The Mighty”  and added a gold outline. Done! I believe they used it with and without the tagline.