Category Archives: Movies

Watching THE PEANUTS MOVIE (2015)

ThePeanutsMovieWe watched this on Amazon Prime last night and enjoyed it. From stills I’d seen I thought the digital animation might bother me, but it worked okay for the most part. There are some disconnects between the very Schulz-like black lines on the faces and the more sculpted body shapes and hair. Occasionally I found myself looking at that rather than enjoying the story, particularly when things went a bit weird, as in one scene where Schroeder’s eyebrows went over his hair, but mostly I got used to the look pretty quickly and I feel it does capture the Schulz characters at least as well as the old hand-drawn animated features on TV. The digital animation gets into some very detailed backgrounds and landscapes at times that seem too three dimensional and precise, as when Snoopy in his flying doghouse is dogfighting with the Red Baron over Paris, but in all it was visually fun.

The story is well done, a collection of short episodes and gags combined into scenes of varying lengths, but none longer than about five minutes, I think. This helps preserve the flavor of the original comic strip more than some of the later TV cartoons, and much like the original “Charlie Brown Christmas” one. There is some development to the story as it goes along as well, but it’s light enough to work in this format. There are changes from the strip that make sense in a movie, such as having Peppermint Patty and Marcie in the same school and class as Charlie Brown and his gang. And there are two major plot elements that are new or carried much further than the strip, depending on how you look at it: love interests for Snoopy (a female pilot) and Charlie Brown (the little red-haired girl). I found both charming and in a way kind of satisfying.

Charlie Brown and Snoopy get the most screen time. Many of the regulars are here, but Linus gets less screen time than you might expect compared to his large role in the strip, and Lucy is also somewhat sidelined. In all, it was fun and well worth watching right through to the end credits. And Charles Schulz’s line drawings of the characters do make appearances at times throughout, just to remind the viewer of where this all came from, a nice touch.



HobbitArmiesIf I was required to pick one book from the thousands in my home and the thousands more I’ve read as my favorite of all time, it would be “The Hobbit” by J.R.R. Tolkien. It’s been so since I first read it around age twelve, and I’ve reread it dozens of times since. While I did not initially warm to Peter Jackson’s version of “The Lord of the Rings,” I came around to it and now like it a lot, so of course seeing all three Hobbit films was a must. Having found a place in my head for Jackson’s version of Tolkien, I was able to enjoy and appreciate his version of “The Hobbit,” even though there’s so much in it that’s not in the book. A lot of that is, I think, a matter of creating a blockbuster action film, but even more, of introducing things he and his writing team wanted to see more of and more about.

It reminds me of fan fiction in a way, like “wouldn’t it be cool if, amid the madness, a dwarf and an elf-maiden fell in love,” or “what if the orcs had giant digging worms like the Sandworms in Dune,” or “let’s see the battle between the wizards and The Necromancer.” Some of these ideas are easier to go along with than others, I admit I liked the last one. Even Tolkien himself did some tinkering with his story after the first edition saw print to deepen the connections to “Lord of the Rings,” as evidenced in his introductory note in my edition from the 1960s. And of course it was a given that Peter Jackson’s version would have lots of action and lots of fighting, especially in this last film. It’s surprisingly non-gory action, but still very violent, and strays far from Tolkien, even when it’s kind of cool, as in the feats of Legolas, who of course isn’t in Tolkien’s “Hobbit” at all.

Despite all that extra stuff, the main points of the book are covered pretty well, I thought. And Peter Jackson’s version of Middle Earth is, in my view, a pretty cool place to visit, even if it’s not that much like Tolkien’s. Looking at my well-worn copy of the book, the one with Tolkien’s actual signature tucked into the flap, I see that the  Battle of the Five Armies is covered in one chapter of twelve pages. It’s about half the film. I did appreciate the many character moments in the film, even some of the ones not in the book, and could have done without so much fighting, but maybe that’s just me. In all, I enjoyed this and all the Jackson films. I think I liked the Hobbit ones less than the LOTR ones, but I did like them. It’s not something I would bring a kid to, let them read the book, and find the films later would be my plan, but I don’t have kids of my own, so I’m not sure how realistic that is.

The end of the film is not as satisfying as the end of the LOTR films, because Jackson has spent so much time connecting his Hobbit to those films, and as viewers, we know there’s lots more trouble coming for Bilbo and the Hobbits, so that’s a little disappointing, but I suppose if you wanted to watch them all in chronological order, it makes sense. I know I’ll go back to the book again, and find more enjoyment in that in the long run, but the things accomplished in the films will also stick with me.




Image © Marvel.

When I was young, and an avid science fiction and fantasy reader, I searched long and hard for anything on the large or small screens that gave me the same kind of fun as what I was reading. That changed with “200l: A Space Odyssey” and even moreso with “Star Wars.” Having seen this summer action adventure fantasy today, I can report that it delivers the fun. It doesn’t break any new ground, but it’s quite entertaining. I have to admit I’ve never read any of the comics it’s based on. I did read the early adventures of the character Star-Lord, but the version here is later and a lot different, as far as I remember. The other “heroes” were all new to me. I did enjoy seeing Thanos, one of Marvel’s best villains, well-handled here, as I’d bet his creator Jim Starlin did. For once the credits were generous, giving Jim and others creator credit, and listing many other comics creators too. Nice to see that. Of course, Stan Lee had his cameo as well.

The plot of the film is not particularly important or memorable. The interactions among the characters, in both serious and funny moments, was well handled and fun to watch. The effects were epic, but not particularly better than other recent action movies. At least there weren’t so many things going on at once most of the time, so I found things easier to follow than in other recent films. Yes, it’s full of action, but there are plenty of quieter moments, a good balance. No one character stood out for me as a favorite, but as a group, the leads were all fine. I was not as taken with Rocket, the CGI raccoon as some may have been, but he and Groot, the plant man, were well-crafted and played. In fact, at times I found them more convincing than Zoe Saldana as Gamora, who I didn’t feel was as believable in the quieter scenes. Chris Pratt as Star-Lord hit all the right notes for me, a good blend of funny and heroic while still being kind of a jerk.

In short, well worth seeing and recommended.

Watching FROZEN


Image © Disney.

I hadn’t planned on seeing this in a theater, hadn’t read anything about it, but we’re visiting Ellen’s sister Ann’s family, and they invited us to go see it. I went in with no expectations, except that it’s a Disney animated feature, and I enjoyed the film a lot. Despite the Disney name, like “Brave” it feels more Pixar than Disney, perhaps at least in part because of Pixar’s John Lassiter directing. The story is only vaguely familiar, being “inspired” by the story “The Snow Queen” by Hans Christian Anderson. All they’ve really taken is the idea of a powerful and heartless queen of ice and snow. The rest of the film is new, and while it is a familiar Disney approach with two princess sisters, two handsome young men, a loveable animal companion (above) and comic figure (also above), there are enough new twists and turns to make it seem fresh. The animation is wonderful, my only complaint is that the young women have the extremely large eyes of manga characters, much larger than the men, something I found tended to distract me from the storytelling. There is magnificent animation and artwork based around snow and ice, lots of action (perhaps a little too much at times, but that’s the way films are these days), a good dose of humor, and fine characters that “act” convincingly. All well done, and the film is preceded by a new Mickey Mouse cartoon short that is truly an amazing blend of the oldest Mickey cartoons and new digital animation. I won’t spoil it by explaining.




Image © Warner Brothers Pictures.

“The Hobbit” by J.R.R. Tolkien has long been one of my favorite books, perhaps my very favorite. I first read it about fifty years ago, and I’ve read it many times since. Though initially on the fence about the Peter Jackson-directed Tolkien films, I’ve come to enjoy them a great deal, but part of that enjoyment comes from not expecting them to follow the books closely. In his three “Lord of the Rings” films, Jackson did stick closely to the book much of the time. His films are epic in scale, and that book is too, so most of what Jackson added there was more screen time to the battles and action.

With “The Hobbit,” the book itself is a smaller story. Yes, it does have some epic moments, but much of the book is more intimate and personal with a relatively small cast of characters: the dwarves, Bilbo and Gandalf are the core group. The story is lighter in feel too, with only hints of the larger troubles in the land of Middle Earth in general. Now, Peter Jackson and his writers, in deciding to make this a three-film series, clearly needed to live up to their previous trilogy as far as the epic scope and the action. This meant adding things. In the first Hobbit film the additions were most obvious in extra battle scenes and a few new characters drawn from hints in other Tolkien work, or made up whole, but I’d say it was about 75% close to the book.

“Desolation of Smaug” flips that around, I’d guess it’s about 25% close to the book. There are lots of new things in the storyline, large and small, from new characters (Evangeline Lilly makes an excellent elf maiden, but she’s new) to events that diverge from Tolkien’s narrative quite deliberately for storytelling reasons. Despite all that, I enjoyed the film, it’s a fun action-adventure ride, and Jackson and company clearly love the original books. The changes they make are always respectful and understandable, in my opinion. But everything has to be larger. More action, longer and more thrilling and more complex at every turn. I saw the “higher frame rate” version this time, and I have to say it worked really well for me. You can read about Jackson’s approach in THIS article, but I did find it easier on my eyes, especially when following quick movement. There were moments when it approached a live video feel, but that only struck me occasionally, mostly it just flowed smoothly. I’d recommend that version if you have a choice.

The middle film of a trilogy usually suffers from that placement by dropping us into and out of an incomplete story at both ends. The beginning of this one avoids that somewhat by adding to the beginning of the whole story: Gandalf’s first meeting with Thorin. The end, though, is abrupt and clearly “to be continued.”

In all, I had a fine time, and recommend the film, just don’t go expecting the plot to follow the book very much. Enjoy the ride you’re on instead.