Image © DC Comics, Inc.
Superman has been trying to help Ulysses, but things went very wrong, and now Ulysses is out to destroy Superman and Earth, even though it’s the home of his own parents. This is a setup for major melodrama, but the fine writing of Geoff Johns keeps it real and believable, even though of course it’s unbelievable how two such powerful beings go at each other. There are many effective character moments among the blasting and explosions, including an appearance by Batman, Clark Kent back to work at The Daily Planet, Ulysses and his parents, and my favorite, the closing scene with Jimmy Olsen setting up the return of Jimmy’s best role.
I watched the first episode of this new CW show last night, based on the Vertigo comics. There have been a number of TV shows and movies adapted from comics I worked on, but this one is unusual in that I lettered the entire series, so I was curious to see what I’d think. I liked it a lot, and there are definitely connections to the comics, though not as many as there might have been. Continue reading
Image © George R.R. Martin.
I liked this comics adaptation of the first “Game of Thrones” novel pretty well when I started reading it, but did not care fir this volume so much, mainly because of the art by Tommy Patterson. He’s doing pencils and inks, which is a ton of work on such a big project, but in places here the inking looks rushed and sketchy. The characters seem to be looking more like each other all the time, and in places there’s a cartoony feel to the figures and faces that doesn’t seem right for the subject matter to me. There could be some artistic burnout involved, I don’t know. The story is compelling, the adaptation seems good, though it’s been over twenty years since I read the book, so I’m not a very good judge of that. But for it to work visually, the art has to draw me in, and this doesn’t. Instead, I find myself mentally critiquing it as I read. In all, I felt like I’d rather imagine these characters in my own head than see them depicted in this form. I haven’t watched any of the HBO adaptation, so I don’t yet know how I’ll feel about that, but it seems likely it’s going to be a more realistic approach than some of the art in this book. I’m thinking I may not get the final hardcover volume.
Image © Jukebox Productions. What a great cover!
The saga of Quarrel continues, bouncing around from her present-day concerns about getting too old for the super-hero business, and episodes from her past, including family issues and early crime-fighting days. One constant is the ever-turbulent relationship with Crackerjack, her partner at home and sometimes at work. There IS a lot of quarreling in this story, but it’s a great partnership to read about. Reminds me some of Oliver Queen and Dinah Lance, but with its own unique flavor. Good comics; thoughtful writing by Kurt Busiek, nice art by Brent Anderson, and of course Alex Ross on the cover. Hey, the coloring and lettering are nice too!
Image © DC Comics.
In the aftermath of the latest crossover confusion, the Corps are taking a breather on Mogo and regrouping. The Guardians want John Stewart to take the leadership of the Corps, but he has other ideas. Meanwhile, some of the newest members are taking full responsibility for their sectors, heading out to begin local patrols, with John along to help. In a book like this, it’s hard for new characters to get the attention needed to become known to and liked by readers. Hope that happens here in this storyline for a few of them. None of them seem familiar to me yet. In all, a good read with fine art.