Author Archives: Todd

THE DANNY CRESPI FILES Part 15

This and all images © Marvel.

Continuing my exploration of the cover lettering work of Danny Crespi at Marvel Comics from about 1974 to the early 1980s, with some examples from Gaspar Saladino and others. Photocopies of saved cover lettering from Danny’s files were compiled into a collection by letterer and friend Phil Felix during the 1980s when he worked with Danny on staff at Marvel, and Phil sent me copies. This time I’ll look at pages 57-60. Page 57, above, is by Danny except for the three on the right side, which are by Gaspar. Sources follow. Continue reading

And Then I Read: A YEAR IN PROVENCE by Peter Mayle

Cover Illustration by Ruth Marten.

I seem to have drifted into mainstream summer reading territory with this book, and I quite enjoyed it. After fifteen years in advertising, the author decides to buy a house in the French countryside of the Lubéron, known for it’s small picturesque villages, wine production, and excellent food. It seems an idyllic place to live and write about, and it is, but there are some caveats. The old stone farmhouse is in a perfect spot surrounded by a national park so it can’t become too developed, but the house needs lots of work. Hiring locals to do that work is the first of many friendships forged and humorous adventures and escapades survived. Mayle writes about the people of his new home with wit, insight and love. Yes, he’s highlighting their quirks, faults and bad behavior at times, but also their passions, warm-hearted generosity, and kindness. There are plenty of gastronomic adventures, lessons in growing and harvesting wine grapes, local festivals and customs, and Mayle has many funny things to say about both his own English foibles and habits as well as the French ones.

The writing of this book is a great pleasure to read and savor. If only the amazing meals and drinks came with! Highly recommended. Two more in the same vein are waiting.

And Then I Read: GREEN LANTERNS #47

Image © DC Entertainment. Written by Tim Seeley, art by V Ken Marion & Sandu Florea, colors by Dinei Ribeiro, letters by Dave Sharpe. Alternate cover above by Brandon Peterson.

I feel like I’m missing some of the story here, probably because I came in late. The Justice League don’t seem to have a lot to do except get captured and rescued. I do like the role for John Constantine as magic consultant. The main story is what’s happening to Jessica on a world inside the villainess Singularity Jain. There she’s trying to deal with the loss of some old friends, while being helped by Simon, though he does not have his power ring. This kept my interest despite art that doesn’t completely work for me. I must add the cover above is excellent, though it’s not by the interior artist. Not a bad read, but I can only mildly recommend it.

And Then I Read: WONDER WOMAN #46

Image © DC Entertainment. Written by James Robinson, art by Stephen Segovia, colors by Romulo Fajardo Jr., letters by Saida Temofonte.

I haven’t read WONDER WOMAN since Greg Rucka left as writer last year, but I like James Robinson’s writing too, the art is appealing, and this new story arc seems a good place to jump on again.

Diana’s friend Dr. Barbara Minerva has been changed permanently to her alter-ego The Cheetah by Veronica Cale, who now learns that Cheetah has escaped the place where Diana had put her. She recaptures Cheetah to resume experiments (shades of Dr. Moreau), but Cheetah escapes from her too, babbling of some new Dark Gods that are coming, and that she must prepare for. When Wonder Woman appears on the scene, she finds she can’t reason with Cheetah, and perhaps catches a glimpse of these new gods. Meanwhile, a man named Jason in heroic armor has broken into a Kobra research base in Montenegro to free his father, and a surprise attacker, also obsessed with the new Dark Gods, faces Wonder Woman on the final page.

Nicely done by all, the story is intriguing, and I will read on. Recommended.

Pulled From My Files #87: STRYFE’S & STRIKEBACK Logos

This and following two images © Marvel.

In 1993 I was asked by Marvel to design a logo for this X-Men spinoff one-shot. I have two marker sketches remaining, and no final inked version. This follows the pointy and dangerous mandate from Marvel at the time. I rather liked the way I snuck in the apostrophe between the E and S. Continue reading