This and all images © Marvel.
Continuing my exploration of the cover lettering work of Danny Crespi at Marvel Comics from about 1974 to the early 1980s, with some examples from others. Photocopies of saved cover lettering from Danny’s files were compiled into a collection by letterer and friend Phil Felix during the 1980s when he worked with Danny on staff at Marvel, and Phil sent me copies. This time I’ll look at pages 61-64. Page 61 is above, all lettered by Crespi except Ultron Undying, which is probably by Jim Novak. Sources below. Continue reading
This and all images © Marvel.
Continuing my exploration of the cover lettering work of Danny Crespi at Marvel Comics from about 1974 to the early 1980s, with some examples from Gaspar Saladino and others. Photocopies of saved cover lettering from Danny’s files were compiled into a collection by letterer and friend Phil Felix during the 1980s when he worked with Danny on staff at Marvel, and Phil sent me copies. This time I’ll look at pages 57-60. Page 57, above, is by Danny except for the three on the right side, which are by Gaspar. Sources follow. Continue reading
Images © Todd Klein.
While cleaning out our guest room for redecorating, I found a small pile of these printed programs I made for our wedding. Hand-lettered and drawn, printed on pale pink paper, colored pencil on the drawings. I hadn’t seen it in many years. Still looks okay to me. Happy to say we remain together.
Ira Schnapp in the National (DC) Comics offices, 1955. Photo by Martin Schnapp, used with permission.
If you read my blog, you’ll recognize this person: lettering legend Ira Schnapp. This is Ira at work in the National (DC) Comics offices in 1955, photo by his son Martin Schnapp. I’m pleased to say that Marty and I, with help from my friend Tim, have finally managed to get Creative Commons licenses for these two photos. It took a while, it’s a complicated process, but they are now on the Wikipedia Commons site and free for anyone to use as long as you give attribution to Martin Schnapp, the copyright holder.
I’d love to get some attention for these photos so they come up on a Google Search for Ira. If you have a minute, you can help by clicking on a few things.
First, go to Ira’s Wikipedia page and click on the photo there:
That alone would be a great help! If you have time to do more, click on the direct photo links:
You could also give my blog pages featuring this photo some love, and click on the captions below the photos, which will again link to the Wikimedia versions:
Thanks for your help, and feel free to spread these photos around!
This and all images © DC Entertainment.
Continuing my research into the comics lettering work of Ira Schnapp, BUZZY was National (DC) Comics’ first attempt at a teen humor comic, probably spurred by the success of Archie Andrews and company over at MLJ, soon to become Archie Comics. National’s approach was more akin to the college humor magazines like LIFE, JUDGE and COLLEGE HUMOR, particularly the style of John Held Jr. seen on this LIFE cover from 1926:
Not as heavily stylized, but getting cues from 1920s jazz age fellows and flappers. The writer on most early stories was Alvin Schwartz, and the artist was George Storm. The cover lettering on early BUZZY issues has some style similarities to the work of Ira Schnapp, but not enough to convince me they were lettered by him, though it’s possible.
Buzzy himself is a jazz-mad teenage horn-player who is sweet on Susie Gruff, and hated by her father Popsy Gruff, as seen on the cover above. His rival is an oddly vampirish boy named Wolfert, always after Susie too. Storm left the title around issue 20, and the art and writing soon became much more like Archie Comics. Continue reading